Asia NOW 2025: Paris Art Fair Bridges East and West at the Monnaie de Paris

Erica Silverman, Whitewall, October 17, 2025
From October 21 to 26, the historic Monnaie de Paris becomes a vivacious hub of creativity as Asia NOW returns, presenting a riveting intersection of galleries, artists, and performances from across Asia and its diaspora. More than a traditional fair, Asia NOW fully embraces the spirit of a festival, beckoning audiences to engage with skillful contemporary practices that blur boundaries between art, history, and culture.
 
Celebrating Diverse, Global Voices in Paris
Ha My Nguyen, Ha My Nguyen, “Blossom No.9,” ceramic, 2025, H 55 cm x L 40 cm; Courtesy of the artist and GALERIE BAO.
Ha My Nguyen, Ha My Nguyen, “Banana in Sight,” Chinese ink & pencil on paper, 20 X 26c m (2023); Courtesy of the artist and GALERIE BAO.
 
This year, West and South Asia are at the luminous forefront, highlighting regions from Saudi Arabia, the UAE, Lebanon, Turkey, India, Pakistan, Sri Lanka, and Nepal. Under the verdant curatorial theme “Grow,” the fair explores how geography, culture, and shared histories shape perception and understanding, encouraging visitors to consider how artistic practices transform both thought and experience. A notable addition, The Third Space, spotlights South Asian experimental projects that emphasize hybridity and partnership. Highlights include We Were Always Neighbours, curated by Sahil Arora and Rajiv Menon Contemporary Gallery, and a soaring presentation organized by Lê Thiên-Bào of Galerie Bao, bringing together works from Spain and Seoul. 

“Asia NOW fully embraces the spirit of a festival,”

 

Asia NOW 2025 presents upwards of 70 cutting-edge galleries, from returning institutions like Esther Schipper, carlier | gebauer, and O Art Space, to newcomers including Art Arario (Seoul), Ron Mandos (Amsterdam), and BAIK ART (Los Angeles, Seoul, Jakarta). The NOW ON realm further emphasizes emerging galleries, reflecting the bold spirit of the younger art landscapes. The immersive public program spans performances, installations, screenings, and talks. Gems include Mohammed Al Faraj’s palm tree installation, Ahaad Alamoudi’s sound and light activation, and participatory projects from Lahore, Colombo, and Kochi-Muziris Biennale. Craft and film are also central, with artists exploring textiles, hybrid drawing, and moving-image works. With the Matsutani Prize and the introduction of RAK Art Foundation Prize, Asia NOW pushes forward its heartfelt mission of supporting artistic creation and fostering international collaboration.
 
A Parade of Ideas and Exchange
Asia Now 2024Asia Now 2024; Photo by Linh Pham, Courtesy of Asia Now.
Asia Now 2024Asia Now 2024; Courtesy of Asia Now.
 
Asia NOW’s forward-looking ethos extends beyond the fair’s walls into a living dialogue between artists, curators, and institutions shaping the new cultural map of Asia. This year’s public program unfolds as a constellation of experiences—immersive performances, sensorial installations, and urgent conversations—each amplifying the pulse of contemporary creation from West and South Asia. Visitors encounter poetic works like Under the Aegis of the Moon by Han Mengyun, a meditative installation bridging language and lunar cycles, while Saudi artist Ahaad Alamoudi’s luminous activation Ghosts of Today and Tomorrow turns sound into an echo of ancestral memory.
 
Craft as Radical Practice
Saadia MirzaSaadia Mirza, Still from A Phenomenology of iceberg Collisions, Multi channel panoramic video and spatial Sound; Courtesy of the artist and Asia NOW.
 
Dynamic partnerships drive Asia NOW’s evolution, from the Lahore Biennale Foundation’s intergenerational dialogue to Colomboscope’s cross-disciplinary exchange between Sri Lanka and the world. Craft and material exploration take center stage through Desire Moheb-Zandi’s hand-woven textiles, Mella Jaarsma’s theatrical performances, and Racso Jugarap’s myth-infused tapestries—proof that tradition can be a radical act. The fair’s conversation platform furthers this exchange with dialogues hosted by K11 Art Foundation, AWARE, and Musée Cernuschi, inviting new reflections on gender, heritage, and digital aesthetics.
 
Prizes that Nurture Vision
(Pink Wall) Hiromi Tango with (Pink Wall) Hiromi Tango with “Amida Falls AITAKI 愛滝,” 2025, Obi, Kimono silk, textile, wire, oil on canvas, 80 cm x 120 cm x 15 cm. Photography by Alex Chomicz, Courtesy of the artist.
Hiromi Tango with Hiromi Tango with “Hagoromo _ AITSUKI 愛月,” 2025, Obi, Kimono, Kimono silk, textile, wire, acrylic and oil on canvas, 110 cm x 130 cm x 15 cm. Photography by Alex Chomicz, Courtesy of the artist.
 
Two significant prizes—the Matsutani Prize and the inaugural RAK Art Foundation Prize—deepen Asia NOW’s commitment to nurturing artistic vision. Through residencies and international collaborations, they reaffirm that the fair is not simply a market, but a movement fostering continuity, empathy, and experimentation. Across the historic halls of the Monnaie de Paris, art becomes a language of connection—a gesture toward understanding that stretches from Beirut to Busan, Lahore to Lisbon. In its second decade, Asia NOW continues to expand the horizon of what “Asia” means, dissolving borders and celebrating the fertile intersections where stories, materials, and memories meet in radiant transformation.
 

“Asia NOW pushes forward its heartfelt mission of supporting artistic creation and fostering international collaboration,”

 

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