Biography

Chiew Sien Kuan (b. 1965, Singapore) graduated from NAFA in 1989 majoring in painting and obtained both his Bachelor of Fine Art and Master of Fine Art at the University of Tasmania. In 1992, he was awarded the Highly Recommended Prize in the Australian Bicentennial Art Award of Young Artists (Painting). The following year, he attained First prize in the 3D category at the Phillippe Charriol Foundation Contemporary Art Competition (Sculpture). His artistic research interest is pertaining to Painting & drawing (Change, refillable...absent) Machine - re-examining traditional aesthetics through the use of materials, be it found objects, recycled, experimental or conventional.

 

Chiew’s drawings and paintings are personal commentaries on the issues of modernity and rapid urbanisation that affect people’s sense of being, creating altered states of mind. His work is preoccupied with issues of environmentalism, renewal, loss of urban spaces, economic progress and technological development that have inevitably influenced and changed people’s sense of reality.

 

Chiew’s paintings are a reflection of subconscious minds that are in constant flux, reacting to these changes around us. With broad confident strokes, Chiew draws and paints exuberantly on paper, demonstrating a unique sense of freedom and free-spiritedness in his style of painting. His sculptures are characterised by the use of found objects sourced over a period of time sometimes 10 – 15 years. By formalising the accidental, he probes into the subconscious mind enticing the viewer to rethink and re-examine the subject matter in the work. The seemingly random assemblage of materials may not seem finished, it is constantly a work in progress. 

Works
  • Chiew Sien Kuan, The Old Guitarist’s Chair, 2025
    The Old Guitarist’s Chair, 2025
  • Chiew Sien Kuan, The Scale of Justice (War Machine), 2025
    The Scale of Justice (War Machine), 2025
  • Chiew Sien Kuan, Angel's Hands (War Machine), 2023
    Angel's Hands (War Machine), 2023
Exhibitions